A precise reference for your editor.
Create a UHD 16-bit TIFF with 35,937 or 274,625 samples, depending on the selected grid.
Consolidate a base LUT, Color Board, curves, and other global adjustments into a new 3D .cube LUT. Looks Lab measures the transform, checks the result, and keeps the process on your Mac.
Looks Lab observes how your color stack transforms thousands of RGB samples and creates a LUT only after the treated target passes the required checks.
Create a UHD 16-bit TIFF with 35,937 or 274,625 samples, depending on the selected grid.
Severe errors block export so an invalid target does not become a LUT.
Generation, reading, and export happen locally on the Mac.
The result is an IRIDAS 3D .cube LUT for Rec.709 SDR.
Looks Lab does not try to replace how you color. It creates a measurable reference that turns the global result into an open file.
The target exchange already works; the native extension that shortens the workflow is in development.
The 0.2 workflow was validated end to end locally in DaVinci Resolve Studio 20.3.
The UXP package already speaks the app protocol and is going through its final in-host test pass.
Your editor remains the place for creative work. Looks Lab handles measurement and validation.
Choose 33³ or 65³ and save the UHD 16-bit TIFF.
Use only global adjustments and export the treated frame without changing dimensions.
Import the treated TIFF or PNG and review the diagnostics.
If the target passes validation, save the .cube file.
Diagnostics separate a global RGB transform from everything that must remain in the editor project.
The current build creates and recognizes 33³ and 65³ targets, validates thousands of samples, and exports .cube files locally. Pre-sale opens only after final tests, Developer ID signing, notarization, and licensing are complete.
The product is in private beta. These answers reflect the current working prototype.
No. It measures the rendered result over a known RGB target, so it does not need to interpret every proprietary Final Cut, Premiere, or Resolve control.
No. The target, treated frame, diagnostics, and .cube file stay on your Mac.
33³ offers broad compatibility and measures 35,937 RGB combinations. 65³ uses 274,625 samples for more demanding transforms, with a larger file and heavier processing.
The current prototype is limited to Rec.709 SDR. Log profiles, HDR, and camera-specific color contracts come after the Rec.709 workflow is fully validated.
There is no charge yet. The early-access list receives beta milestones and priority when official pre-sale opens.
Join the early-access list to follow the closed beta and receive priority for the future pre-sale.