Your whole production company in one flow.
Shoots, teams, gear, post, files, comments, and reporting connected in an operation designed for audiovisual work.
Learn moreClipevo brings together solutions shaped inside a production company for people who shoot, edit, present, and deliver. From operations to creative tools, every product is designed to give time back to the work that matters.
Shoots, teams, gear, post, files, comments, and reporting connected in an operation designed for audiovisual work.
Learn moreClipevo Creator brings video, image, music, Agent, and Canvas into Final Cut Pro, connected to the active client and edit in Fluxo.
Learn moreLooks Lab measures global Rec.709 color adjustments, checks the result, and exports a 3D .cube LUT—with all processing kept on your Mac.
Long-pause rough cuts for Premiere Pro, Final Cut Pro, and DaVinci Resolve, always with human review before finishing.
Learn moreControl the script from a Mac, iPhone, or iPad and keep up to ten screens synchronized over the local network.
Learn moreCreative LUT collections in development, with compatibility and input color spaces documented pack by pack.
Learn moreThe free app designed to bring your library, downloads, and updates for compatible products together—across macOS and Windows.
Learn moreFrom studio operations to on-camera reading, the first cut, and color direction, every product tackles repetitive work without hiding the process.
Finds long pauses and prepares a reviewable rough cut for Premiere Pro, Final Cut Pro, and DaVinci Resolve.
See how Cut worksOne script, up to ten screens, and remote text control from a Mac, iPhone, or iPad—with Brazilian Portuguese Voice Scroll and per-device settings.
Explore Clipevo TPOrganizes shoots, teams, equipment, production, comments, files, and reporting in one operation designed for video production companies.
Explore FluxoA new line of creative LUTs designed to establish a visual direction faster. Every pack will include real previews, clear compatibility, and workflow-ready files.
See what is in developmentFluxo was born inside Recmart to organize the path from shoot to delivery. Its multi-company edition is now being prepared to give every production company its own operational environment.
External access is not open yet. The first pilot is planned as a web experience with an isolated environment and assisted setup.
Creator is an assisted-creation studio inside Final Cut Pro, connected to the active client and edit in Fluxo.
Today, the real foundation runs on macOS inside Final Cut Pro and uses a Brazilian Portuguese interface. The Creator rebrand, commercial release, and English interface are still in development.
Generate a target, apply your editor's global color stack, and bring the treated frame back. Looks Lab measures the RGB transform, runs a diagnostic, and exports a .cube file.
.cube LUTs for a Rec.709 SDR workflow.The 0.2.0 prototype already runs locally on macOS 13+, with Final Cut Pro as the priority workflow. Premiere and Resolve have experimental adapters under validation. Real-treatment A/B tests, an English interface, Developer ID signing, notarization, and commercial licensing are still required before release.
Clipevo Cut finds long pauses and prepares an editable rough cut for you to continue in Premiere Pro, Final Cut Pro, or DaVinci Resolve.
It does not try to finish the film for you. It automates repetitive work so you can review and make decisions sooner.
Visual demonstration based on the real workflow; numbers and clips are illustrative.
Automatic per-take calibration, adjustable minimum silence, and speech padding.
The result arrives as a new event and project through FCPXML.
Review mistakes, repetitions, and narrative intent before the optional finishing pass.
The process runs in two stages so framing and audio adjustments only follow the takes that survive your review.
RMS volume analysis runs locally and lets you calibrate the threshold automatically or adjust every value yourself.
Remove mistakes, repetitions, and weak takes in Final Cut. Clipevo does not mistake silence for intention.
After your review, apply alternating scale and position settings only to the remaining takes.
Set the lead in frames and create more natural dialogue transitions when audio handles are available.
The result is generated in a new project without editing the source project.
Drag a project from the Final Cut browser or choose an FCPXML file.
Use automatic calibration or adjust silence, padding, and threshold.
Import the pre-cut, watch it, and remove anything that requires human judgment.
Return to the panel to apply A/B framing and a J-cut when you want them.
This table describes the implementation currently validated in Final Cut Pro. Visit the dedicated page to follow Premiere Pro and DaVinci Resolve availability.
One script.
Ten screens.
One command.
The text keeps moving.
Eyes stay on the lens.
Pair iPhones, iPads, and Android devices through a QR code. Control the script from a Mac or Apple mobile device, keep every display on the same cue, and tune each screen for its own teleprompter.
Fluxo was born inside Recmart's real operation to centralize the path from the shoot to delivery. Its multi-company edition is being prepared to give every video production company its own operational environment.
External access is not open yet. The first pilot is planned as a web experience, with an isolated environment and assisted setup for each company.
Clipevo Looks will bring creative color-grading collections together in focused packs, each with its own visual identity and a simple application workflow. Looks Lab is the creation and validation tool; Looks will be the family of ready-made LUTs.
The first packs are still being prepared. Side-by-side previews, tested cameras, formats, and pricing will only be published after every collection is validated.
Manager will be the free app for discovering products, bringing together what already belongs to your account, and tracking compatible versions across macOS and Windows.
The 0.1.0 prototype already has a bilingual interface and a Tauri foundation for macOS and Windows. Installation, downloads, purchases, and updates are still local simulations; commercial integration and signed installers remain in development.
Fluxo organizes the production company. Creator connects AI to creation. Looks Lab turns global treatments into LUTs. Cut speeds up post. Clipevo TP brings the script to the set. Looks prepares the color packs. Manager brings the library and updates together.
Each product is at a different stage. Here are the real limits and availability of every layer.
External access is not open yet. The multi-company edition is in development, and the first pilot is planned as a web experience with an isolated environment and assisted setup.
A functional foundation exists on macOS inside Final Cut Pro and currently uses a Brazilian Portuguese interface. The complete public identity, English interface, and commercial offer are still in development.
No. Today, Agent and Canvas help inspect authorized media, prepare plans, refine prompts, and record approval. Approval does not automatically start paid batches, and Creator does not edit the timeline on its own.
The current version measures global color adjustments in a Rec.709 SDR workflow. Masks, tracking, vignettes, grain, sharpening, blur, glow, halation, temporal effects, and content-dependent adjustments cannot be reproduced by a 3D LUT.
Not yet. A functional macOS prototype is in local QA, but the closed beta and commercial release still require real-treatment A/B tests, an English interface, Developer ID signing, notarization, and licensing.
No. It generates a new copy through FCPXML and asks you to choose an existing library for importing the event. Your original stays untouched.
No. Silence analysis runs locally on your Mac. When sandbox access is required, you authorize the media folder directly.
The current detector uses RMS audio levels, not transcription or semantic AI. It finds pauses without trying to interpret the story.
No. Cut removes long pauses; mistakes, repetitions, intent, and take selection still require your review in Final Cut.
The current version is validated for simple audio/video clips and compound clips with one continuous source. Multicam, synchronized clips, connected clips, transitions, and other complex structures are blocked before the pre-cut.
The independent commercial Clipevo build is being prepared. The launch list receives availability, pricing, and access details first.
Yes. English localization is part of the commercial release. The current internal build still uses a Portuguese interface.
The complete English page—including features, pricing, compatibility, privacy, and support—is at clipevo.com/tp/en.
The first packs are still being validated. We will publish precise camera, gamma, gamut, format, and software compatibility with each collection instead of making a broad promise now.
Not yet. The prototype demonstrates a library, downloads, and an Update Center, but real actions are still in development. At launch, the app will be free and manage only compatible products; store-distributed versions remain on each store's official channel.
Explore the planned Fluxo pilot and follow Creator as its new identity and commercial offer are prepared.
No purchase happens through this contact. Fluxo and Creator are still communicating preparation stages.